It is quite simply the storyof those we look away from, those we do not listen to enough.
Artistic note
The fight for the inclusion of people with disabilities cannot ignore certain sensitive issues. What are the principles on which justice is based? Does justice rest on strict egalitarianism? Are there multiple forms of justice? What are the rights and responsibilities of people with disabilities in legal proceedings? When we take the view that a person with a mental disability cannot understand the nature of their actions, nor answer for them in court, isn't this a way for us to maintain the naive image of the "good" person with a disability?
Shifting the gaze
This is undoubtedly the underlying subject of the creation Justice. Inspired by the first plays of Clément Papachristou, it incorporates the exploration of adapted dramaturgies and disabilities of Une tentative presque comme une autre created together with Guillaume Papachristou, who has the disability cerebral palsy, combined with the quest for fiction and wonder of La Grotte (2021). Ultimately, Justice continues further along these lines, the better to move beyond them in candid nuances.
Like an imaginary topography
In Justice, we take inspiration from the epic journey, the poetics of Dante's Divine Comedy, and Peter Weiss' vast yet unfinished project to rewrite Inferno/Purgatorio/Paradiso. Where "the executioners live eternally unpunished in Paradise" and "the victims never obtained compensation in Hell". A man driven by dark forces descends into Hell to bring back justice, freedom and redemption. He is our guide. The court floor opens. We descend into the underworld where the outcasts live. We don't take enough care of them: the judged, the chastised, those driven out by the people who dominate the world from above. This is not a fantasy story. It is quite simply the story of those we look away from, those we do not listen to enough. Isn't the only way to burst the bubbles to come together?!
Biography
Clément Papachristou is an actor, director and playwright. Since 2022, he has been an associate artist at the Théâtre National Wallonie-Bruxelles. A graduate of the ESACT/ Conservatoire de Liège in 2014, he quickly became interested in inclusive artistic practices for excluded audiences. His work is particularly oriented towards the relationship between the body and collective history. After Almanach, presented in 2017 at the Festival Émulation, he presented Une tentative presque comme une autre together with his disabled twin brother Guillaume in 2020, at the Festival Pays de Danses and the Festival de Marseille. The performance was revived in 2022 at the Théâtre National Wallonie-Bruxelles, and reprised at the Théâtre de Namur, at Mars – Mons Arts de la scène, at the Kinneksbond Mamer Cultural Center in Luxembourg, as well as at Orme festival in Lugano, at the Out of The Box at the Comédie de Genève, at the BewegGrund.Das Festival in Bern and at the Wildwuchs Festival in Basel as part of the IntegrArt Network. His third production, La Grotte, created in 2022 at the Théâtre Varia in Brussels and at the Théâtre de Liège, was revived that same year during Scènes nouvelles at the Théâtre National Wallonie-Bruxelles.
Touring
-
30.09.2025 > 10.10.2025
BELGIQUE - Bruxelles - Théâtre National Wallonie-Bruxelles
-
15.10.2025 > 16.10.2025
LUXEMBOURG - Kinneksbond, centre culturel à Mamer (tbc)
-
11.12.2025 > 13.12.2025
BELGIQUE - Namur - Théâtre de Namur
Informatie
Contacts:
Théâtre National Wallonie-Bruxelles
Diffusion internationale : Céline Gaubert - Head of touring & international relations
Diffusion FWB : Matthieu Defour - Production and tour manager
Production : Juliette Thieme - Head of production
Création Studio Théâtre National Wallonie-Bruxelles
Casting
Création Studio Théâtre National Wallonie-Bruxelles
Conception and staging Clément Papachristou
With Guillaume Paps, Noémie Zurletti
Writing Clément Papachristou, Guillaume Paps, Noémie Zurletti
Collaboration in wrinting and stagin Marie Alié
Dramaturgy Salim Djaferi
Set design Silvio Palomo
Scientific and legal advice Germain Haumont, Antoine Bréa
Costume design Théâtre National Wallonie-Bruxelles
Associated researcher Marie Astier
Production Théâtre National Wallonie-Bruxelles
Co-production (in progress)