The staging strikes a delicate balancing act, orchestrating a profound reflection on the nature of art and the way in which it shapes our lives.
Let’s pretend we’re ten years old. Let’s pretend we met then, to play, confide in each other and dream big.
Faced with the finitude of our existence and of the entire universe, finding meaning for Simon Thomas seems only possible in art and games.
In this age of female liberation, Michael De Cock and Carme Portaceli transform Emma Bovary into a heroine of emancipation.
With the Sainte-Gertrude art centre, the theatre expands to include the city and the world, the endless world of artistic languages, creating an opening in the life of places that are seen as enclosed spaces.
How do we inhabit the institution? And how does it inhabit us? How does a body enter the institution? Can it leave it?
Her shows are always scores for large groups and energetically bring out the power of the collective.
