A theatre and dance festival for young audiences where children, teenagers, parents and grandparents can discover (or rediscover) the performing arts.
Émilienne Flagothier and her fellow actresses orchestrate a cathartic response to the sexist micro-aggressions that punctuate women’s daily lives.
An odyssey where slam, rap and krump come together to create a dialogue between all the strata of urban life.
On this piece of land, fiction and theatre serve as a mirror and an eye-opener for the Prince of Denmark.
Four centuries separate them, but a bottle of booze brings them together.
A euphoric cocktail that mixes intimacy and fragility with tenacity.
In a performance that blends music and dance and intertwines politics and rituals, Zora Snake tackles the subject of the restitution of ritual objects considered to be works of art that were stolen during the colonial period.
From screen to stage, Lola Arias tells the poignant story of women and transgender people incarcerated in Buenos Aires, for whom music is a source of deliverance and redemption.
Sound, materials and bodies come together to create a succession of dreamlike landscapes that choreographer Eszter Salamon calls ‘dynamic monochromes’.
MàD, like Mots à Défendre – mad, outsider, hybrid, daring and festive. MàD, like the cross-disciplinary festival that speaks to us!
With a great deal of self-mockery, she shares her intimate confessions – which are packed with delicious anecdotes – with the audience in a frank and direct way.
Anima unfolds across three giant screens showing landscapes in perpetual mutation.
What do our first and last names say about us? What is our name the name of?
The staging strikes a delicate balancing act, orchestrating a profound reflection on the nature of art and the way in which it shapes our lives.
Let’s pretend we’re ten years old. Let’s pretend we met then, to play, confide in each other and dream big.
Faced with the finitude of our existence and of the entire universe, finding meaning for Simon Thomas seems only possible in art and games.
In this age of female liberation, Michael De Cock and Carme Portaceli transform Emma Bovary into a heroine of emancipation.
To show and hear true or imagined stories that all have something to say about our world.
With the Sainte-Gertrude art centre, the theatre expands to include the city and the world, the endless world of artistic languages, creating an opening in the life of places that are seen as enclosed spaces.
How do we inhabit the institution? And how does it inhabit us? How does a body enter the institution? Can it leave it?
Her shows are always scores for large groups and energetically bring out the power of the collective.
