These hybrid beings, these cyborg-centauresses launch an assault on the break-up, in all its forms, as a necessary act of change.
Italy, the late 1990s. Olga, a 40-year-old woman with two children, is a devoted mother and wife. One day, her husband leaves her. Everything has to be rebuilt, starting with language.
Lucile Saada offers a time-space open to all, where everyone is empowered.
In a performance that blends music and dance and intertwines politics and rituals, Zora Snake tackles the subject of the restitution of ritual objects considered to be works of art that were stolen during the colonial period.
Sound, materials and bodies come together to create a succession of dreamlike landscapes that choreographer Eszter Salamon calls ‘dynamic monochromes’.
How do we inhabit the institution? And how does it inhabit us? How does a body enter the institution? Can it leave it?
Her shows are always scores for large groups and energetically bring out the power of the collective.
