Scènes nouvelles
Scènes nouvelles helps to highlight and to share what irrigates emerging French-speaking Belgian creation: strong, radical hybridization.
Scènes nouvelles helps to highlight and to share what irrigates emerging French-speaking Belgian creation: strong, radical hybridization.
It is on a miniature scale that the magic happens, everyone observes this world from their own perspective as it evolves a few centimeters from their face.
A story of atheistic and angry ghosts, not having planned to die so quickly who decide to stay on the side of the living, who in this case are already withdrawn from the world, their eyes on eternity.
On a piece of land, a band of fanatics sees its existence shaken by the return of one of their own, Marie, who is pregnant and thinks she is the Virgin.
Congo where she comes from, Belgium where she lives. Joëlle Sambi sweeps away the blind spots between these two worlds, doubts, commitment, family, etc.
Blind denounces the conscious and unconscious blindness of citizens, fed by a system that generates unattainable desires.
Rokia Bamba is a sound explorer, an artivist and a purveyor of rhythmic energy, using her turntables to make bodies and souls dance in joyous, socially-conscious celebrations.
With La Grotte, Clément Papachristou built on a double narration that humorously leads to a junction point where the question of art joins that of collective memory.
Between the sharp, metallic sounds close to the glitch aesthetic, Soa Ratsifandrihana dances and invites us to listen.
From sleight of hand to pop songs, Garcimore est mort offers us a reflection on the power of beliefs and manipulation, and tries to deploy an ode to degrowth.
Far from offering only disturbing fiction, Christiane Jatahy presents a splendid cinematographic and documentary exploration in the region of Chapada Diamantina.
In a human approach, Gaia Saitta, invites spectators to accompany her, giving substance to the story, to Irina’s emotions.
In a Turkish enclave in Bremen, patriarchal widower Ali brings home Yeter, a local prostitute, to tend to his domestic needs.
In this ferocious fable, between vaudeville and mythology, the nuclear family is the empire broken taboos and of absolute hypocrisy.
Being both actors and narrators, the three characters fill this grating comedy with visions and archetypes.
In a stripped-down aesthetic, Samantha van Wissen comments, paraphrases, documents and dances Giselle.